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stevewiegenstein

~ News, announcements, events, and ruminations about my books, including Slant of Light, This Old World, The Language of Trees, and Scattered Lights, and about creativity, fiction, Missouri, the Ozarks, and anything else that strikes my fancy

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Tag Archives: Favorite Ozarks Books

Favorite Ozarks Books – 17

10 Sunday Jul 2022

Posted by stevewiegenstein in Literature, Missouri, Ozarks, People, Rural, Writing

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books, Dave Malone, Favorite Ozarks Books, poetry, West Plains

I’ve been reading the new book of poems by Dave Malone in bits and pieces over the last month. Like most books of poetry, it rewards dipping in and out.

I suppose you could say it’s not technically an “Ozarks” book, since there are sizable sections of it that are set elsewhere, when a place is specified, and many of the themes are not Ozarks-specific. But there are a lot of Ozarks poems in here, and a lot of Ozark sensibility, too. In one of my favorite poems from this collection, “Pentecostal Ladies,” he writes: “Their skirts bloom sunflowers, / a decade or two out of favor. / I wave from my front porch / though I know one day they’ll sidle up / in their ballet flats and tell me what for.” And it’s that “what for” that slaps down so delightfully true.

A few things I note about Malone’s work: first, it’s very precise. This is poet who does not just throw in the expected word. Often he leads us into a phrase then turns it ninety degrees, shifting the mood of the poem unexpectedly. The poems are best read slowly, because you never know when that turn is going to happen.

Second, Malone’s poems do two things that I don’t always see in contemporary poetry. For one thing, they are sometimes unabashedly emotional. So many contemporary poets feel restrained by some sort of unwritten rule of decorum to be clinical in their presentation of situations, but these poems don’t shy away from their feelings. But also, these poems can be funny. Sometimes the wit is verbal, sometimes situational. In either case, it’s nice to read a book in which every poem does not feel compelled to be Serious. There are plenty of serious poems in here too, poems of grief, loss, and longing. But seriousness is not the only key this instrument plays in.

Dave Malone lives in West Plains and has published a number of books of poems, each with its own tonal register (or key signature, if I want to push that musical metaphor). If you haven’t run across his work yet, I highly recommend checking it out.

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Favorite Ozarks Books – 15

16 Wednesday Sep 2020

Posted by stevewiegenstein in Literature, Missouri, Ozarks, Writing

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Dahlia's Gone, Eleven Point, Favorite Ozarks Books, Katie Estill, novels, Oregon County

I ran across a chapter of this book in The Literature of the Ozarks, a book that I have written about before. I’d heard of Katie Estill, but somehow had overlooked her novels. So I went out and found myself a copy.

I started reading it a couple of days ago, and it’s a marvel. It begins (or very nearly so) with a murder, but it’s not a mystery, nor is it what one would call a “thriller,” although it does have plenty of police procedure in it. It also has some adult passages with adults doing, well, what adults do. So it’s not exactly a “romance,” either, although there’s love in it, of the most aching and true sort.

It’s set in a county that feels a lot like Oregon County, Missouri, with a river that runs through it (in the novel, it’s the Seven Point, not the Eleven Point as in the real-life county, but let’s not quibble over the number of points). And it has a triumvirate of main characters, three women, all of whom suffer and struggle in the course of the book, and who don’t particularly get along, and who discover that they have common aims and needs despite that. One is a deputy sheriff; one is a woman who has recently returned to the county after a time away; and one is a newer arrival. The murder connects them, divides them, and connects them again.

It’s a beautiful book that defies categorization, and it contains some lovely passages of description of the Ozarks landscape, of the interior thinking of its main characters, and of the mental and emotional negotiations they go through to achieve some answers and some peace. It was published in 2007, but the characters’ travails are as relevant today as they were then. You may have to hunt for a copy, as I suspect it’s gone out of print; but it’s worth the search.

Favorite Ozarks Books – 14

26 Thursday Mar 2020

Posted by stevewiegenstein in Literature, Missouri, Ozarks, People, Rural, Writing

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books, Buffalo, columns, Cornerpost Press, essays, Favorite Ozarks Books, Jim Hamilton, newspapers, Ozarks, reviews, rural life

Ozarks RFD

This review first appeared in Elder Mountain.

The newspaper column is a surprisingly difficult genre: strict word count limits, inflexible deadlines, and the necessity to be both original and familiar to a broad spectrum of readers. Jim Hamilton is a master practitioner of the form. For more than forty years, he wrote columns for the Buffalo Reflex, and a collection of his early columns, River of Used to Be, holds a valued place on my bookshelf. Now comes a new collection, Ozarks RFD: Selected Essays 2010-2015, taken from the most recent decade and published by a new press.

Readers of a certain age will remember when writing a newspaper column was a prestigious perch reserved for those who had proved themselves to be exemplary reporters and writers. On the national scene, Mike Royko, Molly Ivins, Jimmy Breslin, and others swayed political debates. In the Ozarks, Jean Bell Mosley and Thomza Zimmerman, Leonard Hall, and Sue Hubbell reported from their homes and farmsteads on the rhythms of life in nature and community. Hamilton’s columns are in that vein – observant, nostalgic, rarely offering comment on current events.

That doesn’t mean they are shallow, though. The columns regularly steer through emotional shoals. Hamilton writes with painful honesty about losing a wife to cancer and a daughter to a car crash, and about the more general disasters that befall a nation and a community. Faithful dogs and treasured fishing holes inhabit these pages, but so do wars and calamities.

I suspect, though, that the columns most readers will respond to are his reminiscences of childhood in the Ozarks. Hamilton has a gift for memory that reveals itself through precision; the word pictures in these columns are detailed, vivid, and evocative. Perhaps one of the signs of love is noticing, and if that’s the case these columns are just about as loving as one can get these days. Jim Hamilton seems to have noticed, and remembered, everything that ever happened to him.

Is there repetition among them? Sure. One of the pitfalls of a newspaper column is the obligation to produce material on deadline, again and again, week after week, and no columnist escapes the repetition trap forever. But even when he’s returning to a familiar subject or theme, Hamilton finds a way to approach it in a different way, shedding light from a different angle. Still, as with all collections of columns, these are best read in modest amounts. A newspaper column is literature in bite-sized form; as with all bite-sized things, they are better enjoyed when consumed at a moderate pace.

Hamilton’s columns capture a moment, dig deep into a memory, analyze an emotion. Each column is a finely crafted exploration of an experience or recollection, and although you can see their origins in the deadline-driven world of newspaper production, they transcend those origins and offer us lasting insights. There’s both sweetness and precision in these columns, a combination that is hard to pull off and even harder to sustain. This collection of work is a real joy.

Jim Hamilton

Jim Hamilton

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