“What just happened?” is a response that I think many millions of people can identify with. Over the past half-decade, I’ve greeted the evening news with variations on that phrase day after day, as events, statements, mob scenes, and bizarre behavior seemed to tumble out daily, each one more insane than the last.
What Just Happened is also the title of a book I’ve been reading lately, an interesting effort to capture that craziness in real time, a book in the form of journal entries from the beginning of the COVID pandemic to early 2021.
To be honest, I wasn’t sure that I wanted to relive 2020, a year that undoubtedly marked one of the low points of American history. A deadly virus came to the country and millions of people both in the government and in private life tried to pretend it wasn’t a threat. Video recordings of police officers killing black people in a variety of sketchy circumstances became an almost weekly occurrence. A presidential election was held, in which the person who lost by nearly eight million votes declared without evidence that the election had been stolen and (shortly after the new year) urged a mob to storm the Capitol during the certification of the outcome.
But I found myself drawn in to this book. Its raw accounts of the panic and anxiety he felt as the disease swept ashore in the early part of the year reminded me of my own. His horrified description of watching the George Floyd killing on TV, over and over again, brought back my own reactions. Even the parts I couldn’t personally connect to had interest. Charles Finch, the author, lives in Los Angeles, a city I’ve never felt particularly involved with. But his depictions of people’s pandemic responses, which like everyone’s were both highly individual and yet predictably patterned, had a universal feel.
Not that the book is objective, or tries to be. It’s a personal record, with all the personal obsessions, concerns, anxieties (lots of anxieties), and moments of victory that such a record demands. But as long as you read it with that understanding — that it’s not trying to be a comprehensive account, but rather a single individual’s record of a year that revealed much that is dark and troubling about America — it’s a compelling document.
Even after finishing the book, I still don’t get what he hears in Taylor Swift’s music that’s so great, but whatever. I’ll take his word for it.